I am under the impression that life imitates art a great deal more than the reverse. How much of what we say or do is influenced by characters from movies, books, or video games we like and wish to emulate? Next time you have a conversation, pay attention to how much of it is composed of references or quotes. Perhaps in the social circles I travel in this happens more often, but I would say even with the least culturally savvy group of people, it is inevitable that at some point someone might say a line they heard in a movie, or imitate the voice of a TV show character.
American poet, Robert Lowell is one of the frontrunners of the confessional poetry movement that would become popular in the 50s and 60s, a movement that would include others such as Sylvia Plath, Allen Ginsberg, and W.D. Snodgrass. Lowell’s poetry collection Life Studies is one of the first collections to include extensive autobiographical content within his poetry. Every artist takes inspiration from experiences in their lives (you write about what you know after all), but Lowell explicitly infuses facts about himself and his family in discussing broader themes concerning human nature. This is unlike other poets I’ve discussed in this blog, such as Wallace Stevens or Robert Frost, whose writing is much more allegorical. I wanted to look at the poem “Terminal Days at Beverly Farms” from Life Studies, a touching poem on the decline of his father. “Terminal Days” grapples with the theme of death and the ways that people face the inevitable. Although meditation on death is a far-reaching, philosophical theme, Lowell explores the topic through the personal and mundane. Lowell uses autobiographical information describing his father’s last days and his father’s refusal to acknowledge death up until the very end of his life. I’ll show you the poem below, and then give a very brief analysis (no need to get too heavy, the topic of death needs no help on that front): Continue reading